Scott Matthews’ latest record, The Great Untold, deserves to be a career defining one. The sixth studio album by the Ivor Novello Award-winning singer-songwriter (Best Song Musically & Lyrically for “Elusive”) is a master class in honesty, instinct and reflection. A largely acoustic recording, Matthews’ new record features sparse production after being recorded over a productive winter at home. His ten-song cycle is the sound of a man now entirely comfortable in his own skin, putting his neck on the line with a collection of quietly extraordinary songs.
The ghosts of Paul Simon, Ron Sexsmith, Tim Buckley, Nick Drake and John Martyn loom large on a sixth record that revels in its stripped-back nature to show what an exceptionally strong songwriter Matthews really is. The absence of multi-layered instrumentation on The Great Untold, however, should not infer that it lacks depth. The richness in Matthews’ new work comes from the intricacy of his guitar work, influenced by the likes of Bert Jansch and Mark Kozelek, whilst showcasing again an otherworldly singing voice that betrays an everyman inflection and down-to-earth persona.